Peace Talks

The cover of Peace Talks by Tim Finch

Tim’s second novel, Peace Talks, was published in the UK by Bloomsbury in April 2020. It will be published Germany by Rowohlt, in Holland by Levine Querido, in Italy by Ediziono E/O and in the US by Europa Editions. 

Edvard Behrends is a senior diplomat, highly regarded for his work on international peace negotiations. Under his arbitration, unimaginable atrocities are coolly dissected; invisible and ancient lines, grown taut and frayed with conflict, redrawn.

In his latest post, Edvard has been sent a resort hotel in the Tyrol. High up on this mountain, the air is bright and clear. When he isn’t working, Edvard reads, walks, listens to music. He confides in no one – no one but his wife Anna. Anna, who he loves with all his heart; Anna, always present and yet forever absent. 

Honest, honourable, tragic, witty, wise, an unforgettable novel of love, loss, and the human longing for peace, Peace Talks maps the darkest and most tender territories of the human heart.

Peace Talks has been widely praised by the critics.

‘A profound novel about human frailty … In its tone and minor-key approach, Peace Talks is reminiscent of the Julian Barnes of Levels of Life, plus lashings of (duly credited) James Salter …

Peace Talks turns out to be a moving and direct study of frailty , love and time, and luck and grief , of what is left when all the noise – of machination, violence and competing stories – is stripped away’ Guardian

 

‘A tender and elegant portrait of a grieving individual searching for personal and political peace’Sunday Times

 

Peace Talks is a feat of telling this nothing, of articulating the mundanity and penetrating the emptiness of grief. When the official peace deal is reached, Edvard pauses to wonder how. He notes: ‘Sheer exhaustion played a part. Sheer grinding tedium too.’ So, by the novel’s close, having witnessed the exhaustion and grinding tedium of his grief, masterfully rendered by Finch, we feel Edvard is closer to reaching his own persona l peace too’ Spectator

 

‘Tim Finch’s elegant and wintry novel has something of the feel of early Kazuo Ishiguro, and a similar acute grasp of both character and situation, aided by the author’s background in refugee and migrant charities … In Behrends, Finch has created a narrator both open and opaque, as he depicts the high-stakes milieu of diplomatic entreaties with conviction and insight’ Observer

 

‘As well as shining a light on the conflict resolution industry, Finch plays a canny game with our assumptions about the motives behind Anna’s murder, in a smart tale slyly engineered to warn against the perils of nationalist tub-thumping Daily Mail

 

‘A shrewd delight’ Independent Online

 

Peace Talks is a poignant read, full of emotional truth with some unexpected humour along the way’ Interview and Review, Islington Tribune

‘Insightful, emotionally resonant and unexpectedly poetic… (there is a hint of Monty Python and Chris Morris in the points-scoring squabbles over the angles of the window blinds); that it doesn’t jar with what increasingly becomes a profound meditation on memory, loss, and the agony of grief is a mark of Finch’s management of tone. The novel is full of terrible details of brutality in battle, in love and in death. Yet it is consistently a pleasure to read.’ The Big Issue

The cover of Peace Talks by Tim Finch

Tim’s second novel, Peace Talks, was published by Bloomsbury in April 2020. It will  published later in the year by Rowohlt in Germany, Querido Levine in Holland, Edizioni E/O in Italy and Europa Editions in the US.

Edvard Behrends is a senior diplomat, highly regarded for his work on international peace negotiations. Under his arbitration, unimaginable atrocities are coolly dissected; invisible and ancient lines, grown taut and frayed with conflict, redrawn.

In his latest post, Edvard has been sent a resort hotel in the Tyrol. High up on this mountain, the air is bright and clear. When he isn’t working, Edvard reads, walks, listens to music. He confides in no one – no one but his wife Anna. Anna, who he loves with all his heart; Anna, always present and yet forever absent. 

Honest, honourable, tragic, witty, wise, an unforgettable novel of love, loss, and the human longing for peace, Peace Talks maps the darkest and most tender territories of the human heart.

Peace Talks has been widely praised by the critics.

‘A profound novel about human frailty … In its tone and minor-key approach, Peace Talks is reminiscent of the Julian Barnes of Levels of Life, plus lashings of (duly credited) James Salter …

Peace Talks turns out to be a moving and direct study of frailty , love and time, and luck and grief , of what is left when all the noise – of machination, violence and competing stories – is stripped away’ Guardian

 

‘A tender and elegant portrait of a grieving individual searching for personal and political peace’Sunday Times

 

Peace Talks is a feat of telling this nothing, of articulating the mundanity and penetrating the emptiness of grief. When the official peace deal is reached, Edvard pauses to wonder how. He notes: ‘Sheer exhaustion played a part. Sheer grinding tedium too.’ So, by the novel’s close, having witnessed the exhaustion and grinding tedium of his grief, masterfully rendered by Finch, we feel Edvard is closer to reaching his own persona l peace too’ Spectator

 

‘Tim Finch’s elegant and wintry novel has something of the feel of early Kazuo Ishiguro, and a similar acute grasp of both character and situation, aided by the author’s background in refugee and migrant charities … In Behrends, Finch has created a narrator both open and opaque, as he depicts the high-stakes milieu of diplomatic entreaties with conviction and insight’ Observer

 

‘As well as shining a light on the conflict resolution industry, Finch plays a canny game with our assumptions about the motives behind Anna’s murder, in a smart tale slyly engineered to warn against the perils of nationalist tub-thumping Daily Mail

 

‘A shrewd delight’ Independent Online

 

Peace Talks is a poignant read, full of emotional truth with some unexpected humour along the way’ Interview and Review, Islington Tribune

‘Insightful, emotionally resonant and unexpectedly poetic… (there is a hint of Monty Python and Chris Morris in the points-scoring squabbles over the angles of the window blinds); that it doesn’t jar with what increasingly becomes a profound meditation on memory, loss, and the agony of grief is a mark of Finch’s management of tone. The novel is full of terrible details of brutality in battle, in love and in death. Yet it is consistently a pleasure to read.’ The Big Issue